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![](https://www.artfestival.com/sites/default/files/styles/artist_search_profile/public/garrisbio.jpg?itok=b39ha3TM)
Sandi Garris
In 1981 I was introduced to the world of color and design through fiber art, which quickly became a passion for me. I eventually moved into painting for the unlimited expression it provides, but stayed close to my fiber roots by choosing silk as my canvas. It is an unforgiving canvas in many...
![](https://www.artfestival.com/sites/default/files/styles/artist_search_profile/public/grimsley-artwork_3.jpg?itok=EshdlTfg)
Nancy Grimsley
Hand built and extruded clay art ware in a variety of textural and crystalline glazes with additions of glass or aluminum.
![](https://www.artfestival.com/sites/default/files/styles/artist_search_profile/public/screen_shot_2017-02-10_at_1.20.40_pm_0.png?itok=DF-7kNGS)
John Gunther
I have been a weaver/woodworker for nearly 45 years. With the gift of a loom while in college at Michigan State University I started to learn and understand the diverse uses for woven fabrics mixed with other materials especially woods and metals. Graduating in 1972 with a degree in Arts and...
![](https://www.artfestival.com/sites/default/files/styles/artist_search_profile/public/jaeryon_ha_profile.jpg?itok=nIRt3syz)
Jaeryon Ha
My artwork has been involved with such a unique style that distintive strokes and purity of a color are prominent. Oil-pastel being major medium of an artwork, yet pre-applying Gouache on a board enables an artwork to become more vivid and conspicuous.
The uniqueness of my drawings springs from my...
![](https://www.artfestival.com/sites/default/files/styles/artist_search_profile/public/hallbeck_-_artwork_2.jpg?itok=eB8HtgPz)
Kelsey Hallbreck
All works were made on rag paper using AKUA printing ink. Drypoint was the printing process used and is typically done on a copper plate where a needle is used to scratch the image into the plate.
![](https://www.artfestival.com/sites/default/files/styles/artist_search_profile/public/lee_hezelgrove.png?itok=EfrIMOHU)
Lee Hazelgrove
For Lee Hazelgrove, art is best broken down into two parts, not necessarily equal in nature: process and the tangible object. Paramount to him is process. The act of creating. The doing. It represents activity, thought, creative impulse, the channeling of product. Hazelgrove’s playground lies...
![](https://www.artfestival.com/sites/default/files/styles/artist_search_profile/public/heilman_michael.jpeg?itok=gNmqrAyR)
Michael Heilman
What you will see here are a variety of rugs made by different techniques, woven, tufted and hooked and a combination of all three. Many of the rugs are made with a shuttle hook, a wooden and brass hand tool distinctly American in origin (1870) and with a later hand tool, a Rumpelstiltskin hand...
![](https://www.artfestival.com/sites/default/files/styles/artist_search_profile/public/bill_herb.png?itok=OY0RIOkV)
Bill Herb
"In my years at USF, I learned how to transform a smooth, flat sheet of paper into a representation of depth and dimension. Over time, a unique and personal style emerged, employing clay to achieve that vision of a 3-dimensions with flowing structure. The sculpture was born from a quest for surface...
![](https://www.artfestival.com/sites/default/files/styles/artist_search_profile/public/gallerycoat325.jpg?itok=0qE5QplP)
Leigh Herndon
Wrapping the body with my painting imagery, fine wearable silk becomes my canvas. The fluidity of applying color with dyes continues to captivate me as I continue to push the limits of dyeing. This medium provides a perfect process for interpreting the beauty and mystery of nature, and the body...