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She is a professional ceramic artist who is currently living and working in Asheville, North Carolina. She completed a traditional three year apprenticeship with a master potter and received her journeyman ceramics degree from the German chamber of Trade Crafts. Anja is now an artist in residence...
Kathy & Loren Bell
"Jewels in the Sea is family-owned and operated in Hobe Sound, Florida. We both work together to create unusual one of a kind pieces of seaglass jewelry. We travel worldwide to find unusual glass from Kauai, Hawaii to the West to Savonna, Italy in the East. After finding nice seaglass, we have to...
Woven bead crochet jewelry combining contemporary color moods with the ancient art of lampworking. I create all my lampwork glass beads by melting Italian glass rods with a torch.
"Highly textured wall pieces and vessels with additions of inset stones, woven reed, and gold leaf. Each impression, scoop, or piercing is made one at a time, by me, forming the contrasting shapes and textures."
I've worked in the Raku process for 35 years. My pieces are wheel thrown, cut,and altered. Each piece gets 2 electric glaze firings and 2-4 Raku firings creating colors and textures not found in Raku
I create jewelry using niobium, silver, and gold with varied forming, texturing, anodizing and construction techniques.
Chelsea E. Bird is a jeweler and textile artist working out of her independent studio in Pawtucket, RI. She graduated from the University of Massachusetts Dartmouth in 2006 with a double BFA in Artisanry, focusing both on Jewelry/Metals, and Textile Design/Fiber Arts. Chelsea’s jewelry designs are...
I’m a poet, a dancer, a singer, an actress and a decoupage collage master. An artist all my life, now I’m having a romance with glass. My beads are created in the magic of fire! I love color and movement, whimsical and funky, unique and rare, stylish and exquisite, unusual, esoteric, eccentric and...
I work in fine silver, precious metal, and clay and hand sculpt my designs. I add gems and patinas after firing at 1650 degrees in a kiln. The pieces are then hand finished and buffed to a high shine.
In the late 1960’s I became fascinated with the large Nuoc Mam pots of the Mekong Delta…..brown and heavy, sitting stoically in the hot sun, brewing their pungent fish sauce. Later, at Northwest Missouri State University, I was exposed to the bold clay work of professor Russ Schmaljohn and the...