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Nancy Grimsley
Hand built and extruded clay art ware in a variety of textural and crystalline glazes with additions of glass or aluminum.

Mark Groaning
It all started when…
I was just a wee lad when my Mother said my coloring book would look a lot better if I kept my coloring inside the lines.
I thought, Waaaaat?
That’s how it all started. I did my best to do as she said, to color inside the lines, but those neatly drawn lines were so darn...

Jaeryon Ha
My artwork has been involved with such a unique style that distintive strokes and purity of a color are prominent. Oil-pastel being major medium of an artwork, yet pre-applying Gouache on a board enables an artwork to become more vivid and conspicuous.
The uniqueness of my drawings springs from my...

Ronald Haimowitz
I use White Portland Cement applied to balloons hung from the ceiling in four stages for the form and a funnel for the base which is sanded airbrushed and polyurethaned to create the finished product.
~Ronald

Kelsey Hallbreck
All works were made on rag paper using AKUA printing ink. Drypoint was the printing process used and is typically done on a copper plate where a needle is used to scratch the image into the plate.

Bobby Harr
"I create fused & kiln formed glass Judaica and Art Objects. Pieces that are more than just fused glass, but glass that is infused with vibrant color and life. For the thirty five years that I have lived in Arizona, I have described myself as, as Colorful as the Desert Sky at Dusk. Now I create...

Steven Hazard
"I make contemporary abstract objects,wall panels & tables in kiln-formed colored & etched clear glass using heat & gravity to manipulate light, color & shape. Sandcarved patterns embellish each piece".

Lee Hazelgrove
For Lee Hazelgrove, art is best broken down into two parts, not necessarily equal in nature: process and the tangible object. Paramount to him is process. The act of creating. The doing. It represents activity, thought, creative impulse, the channeling of product. Hazelgrove’s playground lies...

Bill Herb
"In my years at USF, I learned how to transform a smooth, flat sheet of paper into a representation of depth and dimension. Over time, a unique and personal style emerged, employing clay to achieve that vision of a 3-dimensions with flowing structure. The sculpture was born from a quest for surface...