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Larry Allen
Each piece of stoneware from LA Pottery is hand-crafted solely by the artist, Larry Allen. His inspiration for his designs comes largely from African and Native American art. Larry makes each vessel from a special black stoneware clay through multiple glazes and firings. Most of his pieces...

Maria Andrade Troya
"I am a studio potter working in the River Arts District in Asheville, NC, since 2001. Most of my work is thrown on wheel and decorated by hand. I then glaze the pieces and fire them in an electric kiln to cone 6. I love bright colors, so most of my pots are glazed in a variety of jewel tones.
I...

Greta Anthony
"I'm a self taught clay artist, I began my love affair with clay in high school. My remarkable art teacher Miss Rebecca Barnett taught us all the mediums she could drag into the art room. Clay is the one that stuck. At first I exhibited at small local shows, as my confidence grew I applied to...

Steve and Linn Ayers
Stoneware pottery with high fire glazes of intense colors and I use slip trail decoration on matte glazes. Mostly wheel thrown with some extrusion and slab method.

Debbie Baraoidan
"I am creating one of a kind mosaics from two different clay forms. I have three general themes that I create: nautical ,nature, and western. I do custom orders and have created mosaics with anything from cycling and fitness to music and dancing. I am also excited about my custom order family...

Anja Bartels
She is a professional ceramic artist who is currently living and working in Asheville, North Carolina. She completed a traditional three year apprenticeship with a master potter and received her journeyman ceramics degree from the German chamber of Trade Crafts. Anja is now an artist in residence...

Julie Berndt
"Highly textured wall pieces and vessels with additions of inset stones, woven reed, and gold leaf. Each impression, scoop, or piercing is made one at a time, by me, forming the contrasting shapes and textures."

Barry Bernstein
I've worked in the Raku process for 35 years. My pieces are wheel thrown, cut,and altered. Each piece gets 2 electric glaze firings and 2-4 Raku firings creating colors and textures not found in Raku

Michael Bose
In the late 1960’s I became fascinated with the large Nuoc Mam pots of the Mekong Delta…..brown and heavy, sitting stoically in the hot sun, brewing their pungent fish sauce.
Later, at Northwest Missouri State University, I was exposed to the bold clay work of professor Russ Schmaljohn and the...