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Sandi Garris
In 1981 I was introduced to the world of color and design through fiber art, which quickly became a passion for me. I eventually moved into painting for the unlimited expression it provides, but stayed close to my fiber roots by choosing silk as my canvas. It is an unforgiving canvas in many...
Anita Gounden
Pillows, runner, placemats, tablecloths, coasters and sachets handmade out of cotton, linen, silk and tapestry fabric.
Michael Gregory
Mike and Molly Gregory began Creative Trivets Too! in the summer of 2015. Following in his parents crafting footsteps, they partnered their business model initially with the same Trivet and Cutting Board shapes which had a proven success. On the first weekend in October, 2015, Mike and Molly...
Nancy Grimsley
Hand built and extruded clay art ware in a variety of textural and crystalline glazes with additions of glass or aluminum.
John Gunther
I have been a weaver/woodworker for nearly 45 years. With the gift of a loom while in college at Michigan State University I started to learn and understand the diverse uses for woven fabrics mixed with other materials especially woods and metals. Graduating in 1972 with a degree in Arts and...
Jay Hatfield
I am a utilitarian potter, sculptural ceramicists, and painter. I use a porcelain clay body and fire to cone 6. I use acrylic paint and I use a woodblock process in some of my paintings.
Lee Hazelgrove
For Lee Hazelgrove, art is best broken down into two parts, not necessarily equal in nature: process and the tangible object. Paramount to him is process. The act of creating. The doing. It represents activity, thought, creative impulse, the channeling of product. Hazelgrove’s playground lies...
Michael Heilman
What you will see here are a variety of rugs made by different techniques, woven, tufted and hooked and a combination of all three. Many of the rugs are made with a shuttle hook, a wooden and brass hand tool distinctly American in origin (1870) and with a later hand tool, a Rumpelstiltskin hand...
Bill Herb
"In my years at USF, I learned how to transform a smooth, flat sheet of paper into a representation of depth and dimension. Over time, a unique and personal style emerged, employing clay to achieve that vision of a 3-dimensions with flowing structure. The sculpture was born from a quest for surface...