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Bobby Harr
"I create fused & kiln formed glass Judaica and Art Objects. Pieces that are more than just fused glass, but glass that is infused with vibrant color and life. For the thirty five years that I have lived in Arizona, I have described myself as, as Colorful as the Desert Sky at Dusk. Now I create...
Daryl Harwood
Acrylic on wood panel with organic elements nested in boxes, set within paintings
Matthew Hatala
Hollow form vessels turned, shaped, then hollowed, from wood found worldwide.
Michael and Linda Hatley
I have been around wood most of my life. My grandfather started a retail lumber yard in 1946. My dad and uncle took over the business. I started working there when I was 14 years old. I worked in the shop and was taught how to run woodworking machinery. I now have my own carpentry and woodworking...
Steven Hazard
"I make contemporary abstract objects,wall panels & tables in kiln-formed colored & etched clear glass using heat & gravity to manipulate light, color & shape. Sandcarved patterns embellish each piece".
Linda Heath
Meet Gyotaku artist, Linda Heath. Fishing and diving are one of her favorite past times, so it only made sense that the art of Gyotaku Fish Rubbing would become a passion for Linda. A self taught artist, Linda has developed her own special style of rubbing all variety of salt water fish found...
Michael Heilman
What you will see here are a variety of rugs made by different techniques, woven, tufted and hooked and a combination of all three. Many of the rugs are made with a shuttle hook, a wooden and brass hand tool distinctly American in origin (1870) and with a later hand tool, a Rumpelstiltskin hand...
Ed Hendrix
Ed Hendrix is an accomplished digital artist who has retired and developed a whole new perspective on art. After earning a degree in graphic design in 1981, Ed worked his way up to a creative director position in the consumer advertising industry from which he retired in 2012. Tapping his years of...
Jenny Henley
Working with a methodology that embraces sculptural practices in a painting framework, I attempt to reconcile ideas of technology, formal aesthetics and time. Typically I use recognizable imagery, appropriate for a audience familiar with contemporary notions of art; yet fused to a slightly...