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John Denis
He has been a full time working artist for over 25 years, exhibiting in over one hundred juried art shows throughout the country. John’s work is a reflection of his time spent on the Pacific Coast. The relevance and infinite character of the ocean fuels his senses and imagination.
Now living in...
Sally Douglas
"I work in stoneware and porcelain, using slab, wheel and pinch methods to convey my ideas. I use images of the natural world—animal and plant images, textures and patterns".
Peter Dublanica
Furniture in collaboration with the natural world. Botanically inspired stone and wood all worked by hand.
Debi Dwyer
Some of Debi’s favorite themes are fantasy fairies, dragonflies and butterflies, where the choices of her glass and jewels make her art stand out and earn her commissions as well as purchases at the shows themselves. Her love of the ocean is depicted frequently in original pieces of artwork that...
Josephina Espinosa
Selected glass is cut, assembled and kiln fired. Some pieces are mounted on handmade iron stands.
Ann Feldmeir
I hand build functional art pottery using an earthenware clay I make, creating usable food-safe pots more durable than traditional earthenware from Italy or Mexico. I hand build each piece, pinching coils and rolling out slabs. I can drape over shapes, slice then reassemble, pinching, paddling and...
Mick Fortney
Florida inspired stained & fused glass.Bullseye, Kokomo,Wissmatch,Spectrum glass,dichroics,mottles along with bevels,gems & pearls create Florida life. Many pieces are framed in 140 yr barn wood or lobster trap wood.
Mick draws and creates his artwork his studio at home in Hudson, FL. He...
Josh Fradis
The history of glassblowing and the fact that it has hardly changed over the past 2,000 years is what I respect and admire. The only thing that has changed is technology and how we achieve our heat. Glassblowing is an art form that not anybody can do at any time. You cannot go to the art supply...
Paul Freundt
Form = Essence
The search for pure form is a passion for me. By that, I mean the distillation of discovered form into it’s minimal essence -what can and cannot be taken away without destroying the integrity of the form. I have sought to carry this philosophy, developed in my earlier career as a...
Scott Gamble
Three thousand years of glassmaking has yielded vessel forms in all shapes and sizes. However, I believe there is still much to explore whether a vessel is functional or non-functional. Form, color, proportion, texture --- all play an important role in how an object is perceived. Sandblasting or...